Why Christie Roadsters<\/a> keep Belgium\u2019s fastest TV satire sharp.<\/strong> Why Christie Roadsters keep Belgium\u2019s fastest TV satire sharp. Topical Satire is as big in Belgium as anywhere, and Tegen de Sterren Op (think Flemish Saturday Night Live) doesn\u2019t hold…<\/p>\n","protected":false},"author":3,"featured_media":24229,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2497],"tags":[2552],"yoast_head":"\n
\nTopical Satire is as big in Belgium as anywhere, and Tegen de Sterren Op<\/strong> (think Flemish Saturday Night Live) doesn\u2019t hold back. It serves up political commentary that\u2019s up-to-the-minute sharp.
\nAll that slick humour demands a slick set, and at TDSO that meant Painting with Light<\/strong><\/a> designing two interconnected stages. The main stage has two projection screens: an electric roll-up screen when a narrow stage is needed, and an upstage screen for full-depth. Three Christie Roadster HD18K 1080 HD DLP<\/strong><\/a> Projectors are used; one for the front screen and a stacked pair for the rear – all Pandoras Box<\/a><\/strong> media server driven.
\nOn a show where every recording starts with a creative session – and the director, video, lighting and sound all pitch ideas; that projection has to be rock-solid reliable and flexible enough to cope with anything thrown at it.
\nIt simply has to be able to step up and perform.
\nwww.paintingwithlight.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"