{"id":45522,"date":"2022-04-22T11:08:28","date_gmt":"2022-04-22T09:08:28","guid":{"rendered":"https:\/\/www.connessioni.biz\/57a-biennale-darte-in-venice-av-technologies-and-missed-opportunities\/"},"modified":"2022-04-22T11:08:28","modified_gmt":"2022-04-22T09:08:28","slug":"57a-biennale-darte-in-venice-av-technologies-and-missed-opportunities","status":"publish","type":"post","link":"https:\/\/www.connessioni.biz\/en\/57a-biennale-darte-in-venice-av-technologies-and-missed-opportunities\/","title":{"rendered":"57\u00aa Biennale d\u2019Arte in Venice. AV technologies and missed opportunities"},"content":{"rendered":"

Videos, screens, projections, videowalls, LED walls, mapping<\/strong>: the\u00a057th<\/sup> Biennale d\u2019Arte in Venice<\/a>, a series of exhibitions that take place from the 13th<\/sup>\u00a0of May to the 26th<\/sup>\u00a0of November 2017 in the whole city, shows us a bigger and bigger intertwinement between contemporary forms of expressions and digital technologies. If, on one hand, it seems to register a sort of movement back in time, with the more and more frequent choice of traditional media like painting or sculpture, on the other a growing number of artists seem to employ\u00a0AV technologies<\/strong>, sometimes within\u00a0complex multimedia strategies<\/strong>. These strategies can either start a dialogue with the surrounding environment (see the increasingly frequent phenomenon, for instance, of\u00a0site specific installations<\/strong>) or be integrated into wider immersive and participative systems, at the point of, sometimes, stimulating a questioning of the notion of art in itself.
\nIt is the case, to quote one of the most significant projects to this extent, of\u00a0Green Light<\/a><\/em>, a project ideated by Danish light artist\u00a0Olafur Eliasson<\/strong>\u00a0in collaboration with\u00a0Thyssen-Bornemisa Art Contemporary<\/a><\/strong>\u00a0in Vienna and with Italian\u00a0furniture and design brand\u00a0Moroso<\/a><\/strong>. The initiative involves, in the form of a workshop that will finish with the end of the manifestation, eighty refugees and asylum seekers, which are called to collaborate with the visitors in the making of modular lamps, on a model previously provided by the artist. Made with recycled and eco-friendly materials,\u00a0Green Light modules<\/strong>\u00a0work at the same time in autonomy and within complex structures, and their production is part of a wider fundraising campaign launched by two NGOs working with refugees (Emergency and Georg Danzer Haus).<\/p>\n

\"art1_int1\"
\nIn the direction of a better integration between Arts and technology is also the\u00a0Nexus Pavillon<\/strong>\u00a0initiative, an international symposium that took place in the Biennale headquarters, Ca\u2019 Giustinian, on the 2nd<\/sup>\u00a0and 3rd<\/sup>\u00a0of February, and that involved artists, curators and researchers. Between the most remarkable Art pieces we indicate U.S. artist\u00a0Charles Atlas<\/strong>\u2019\u00a0The Tyranny of Consciousness<\/em>, a five-channel video installation in which the images of twelve sunsets are accompanied by those of two mysterious countdowns; New Zealand artist\u00a0Lisa Reihana<\/strong>\u2019s\u00a0Pursuit of Venus [infected]<\/em>, which re-evokes the death of James Cook in the Hawaii islands through the cyclical sliding of a multi-dimensional space screened on the wall through a\u00a0rig of five synchronized projectors<\/strong>. Completely based on integrated environments, in this case very far ones (Venice and Jakarta), is\u00a0Tintin Wulia<\/strong>\u2019s project\u00a01001 Martian Homes<\/em>. Through a set of video cameras and video projectors connected in real time via Internet, the visitor is called to look through the eyelet of a door, and the video recording of their eye will be inserted in a database and screened via software, randomly, in a museum of contemporary art in the Indonesian capital (and vice versa).
\n\"art1_int2\"
\nMore radically,\u00a0Peter Miller<\/strong>\u00a0with his\u00a0Stained Glass<\/em>\u00a0prepares, in a room, the projection of an 8mm film made \u201cinvisible\u201d by the absence of the aberrant lens, projecting on the screen and making visible nothing but the flickering of the projection lamp. Turkish artist\u00a0Hale<\/strong>\u00a0Tenger<\/strong>\u2019s\u00a0Balloons on the Sea<\/em>\u00a0is another evocative seven-channel video installation, entirely based on a vivid color rendering. From Turkey comes another installation, too: a smart environment of thirty-five speakers that give shape to\u00a0Cevdet Erek<\/strong>\u2019s project\u00a0\u00c7\u0131n<\/em>, a \u201csound-ornamented inner fa\u00e7ade and platform<\/strong>\u201d, or a sort of variable soundscape of rumors and whispers that activate themselves with the passing of the visitor, in a reflection on the subjective and ephemeral character of listening.
\n\"art1_int3\"
\nWe report the presence, eventually, in the Northern area of the Arsenale, of the new-born\u00a0HyperPavilion<\/a><\/strong>, dedicated to digital technologies and new media, presented by\u00a0Fabulous<\/a>\u00a0and curated by\u00a0Philippe Riss-Schmidt<\/strong>, with the purpose of overlapping and short-circuiting human and digital consciousness through concepts such as\u00a0graphical identity<\/strong>\u00a0or\u00a0augmented reality<\/strong>. Particularly effective is\u00a0Claire Malrieux<\/strong>\u2019s\u00a0Climat G\u00e9neral<\/em>, a series of \u201cdynamic generative\u201d paintings projected on a circular 360\u00b0 surface, with a 14m diameter, as a sort of new media\u00a0Nymh\u00e9as<\/em>.
\nUltimately, the final impression is that of an always greater commingling between artistic expression and Digital Signage, which, unfortunately, is not always explored to its true potential. On the contrary, it is often favored merely for the reason of transportation costs. If the convergence between artistic expression and digital signal, at the level of the production and reproduction devices, is often always inescapable, it is not the same for that between artists and engineers, an encounter which is still very far off: nonetheless, a few signs of this exchange are already here.
\nLink to the Biennale website:\u00a0http:\/\/www.labiennale.org\/it\/arte<\/a>
\nLink to the Green Light project website:\u00a0http:\/\/olafureliasson.net\/greenlight\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Videos, screens, projections, videowalls, LED walls, mapping: the\u00a057th Biennale d\u2019Arte in Venice, a series of exhibitions that take place from the 13th\u00a0of May to the 26th\u00a0of November 2017 in the…<\/p>\n","protected":false},"author":3,"featured_media":23910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2497],"tags":[],"yoast_head":"\n57\u00aa Biennale d\u2019Arte in Venice. 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